Tuesday, May 28, 2019

Character Analysis of Elisa Allen in The Chrysanthemums by Steinbeck Es

Many readers who analyze Steinbecks short story, The Chrysanthemums, feel Elisas flowers represent her repressed sexuality, and her anger and resentment towards men. some(prenominal) even push the symbolism of the flowers, and Elisas masculine actions, to suggest she is un subject to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fit her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisas chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from The Chrysanthemums will be given in an attempt to illustrate that Elisas character qualities, and gardening skills, are the survival traits shes adopted in order to survive, and keep her femininity and vulnerability in a mans world.The first evidence that supports this conclusion is the behavior which occurs between Elisa and her husband, Henry. There is a deeply rooted dysfunction between Henry and Elisa, which is a lack of real communication (Palmerino, 1). They are successful farmers, but it is Henry who tends the economic production. The opening sets up a character contrast which runs throughout the slicing by showing Henry selling thirty head of beef, while Elisa grows dishy chrysanthemums. The contrast is that of the differences between a masculine and a womanly perspective of each other. This shows a limiting of Elisa from a mans point-of-view. Henry tells Elisa that she has a way with growing things, but he feels she is only alter in an aesthetic way. In other words, Elisa is made to feel that her contribution isnt as worthy as a mans even though the spite is hidden ... ... real love, she may be able to find fulfillment in her flowers more than she ever has. They can be released into the male world and survive, beautiful and strong, though fragile, just as she has. The chrysanthemums are not Elisas frustration, th ey are her hope in a world she sees without hope. Therefore, when the tinker simply drops the flowers on the side of the road, the emblematical weight of the chrysanthemums must be considered. Higdon states that the crucial question remains whether or not Elisa has been destroyed (Higdon, 668). The reader can see how the flowers represent largely a positive symbol of growth and life. Elisa may not have anywhere to turn for real understanding, since men are not able to explore her inner-qualities, but it is better that she grows flowers than shutting off her own emotions and feelings and using others like the men around her.

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